Difference between revisions of "Plugins1 - Reverb Assignment"
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| + | For this exercise, we want you to experiment with the different parameters and settings of a reverb plugin. While the settings we use in this exercise may not be typical for the given instrument, it gives us a chance to have fun and be creative. Explore the different types of reverb plugins as well as their settings and parameters. | ||
==Instructions== | ==Instructions== | ||
| − | # | + | # Download these multitracks: [[Mixing:Billy_Cobham_-_Clouds_-_Multitracks|Billy Cobham - Clouds - Multitracks]] |
| − | #* | + | #* This link has a Pro Tools session prepped and ready to mix |
| − | #* | + | #* If you aren't using Pro Tools, import the audio files to organize in your DAW |
| − | #* | + | # Set up sends and returns for each group of audio tracks (snares, toms, overheads) |
| − | # Set up | + | #* You can use individual sends for each track for more varied options |
| − | # | + | #* OR on Subgroup Tracks |
| − | #* | + | # On each return auxiliary track, insert a reverb plugin with a different setting (room, hall, chamber, etc) |
| − | # Bounce or export a stereo audio file | + | #* EXAMPLE: |
| − | == | + | #*# Set up a send and return for the Snare tracks |
| − | # | + | #*# Insert a reverb plugin with a '''Room''' setting |
| − | + | #*# Set up a send and return for the Hi Hat track | |
| − | + | #*# Insert a reverb plugin with a '''Hall''' setting | |
| − | + | #*# Set up a send and return for the Toms tracks | |
| − | + | #*# Insert a reverb plugin with a '''Chamber''' setting | |
| − | + | # For this exercise, let's set all reverb plugins on the aux tracks to 100% wet | |
| − | [[Category: | + | # Feel free to start with a preset and then adjust different parameters |
| + | #* Play with the Length/Time, Predelay, Reflections, Tail, etc. | ||
| + | # Bounce or export a stereo audio file {{Resources:Canvas_Upload_Any_Audio_File_Type_-_Transclude}} | ||
| + | ==Deliver In Canvas== | ||
| + | {{Resources:Canvas_Deliver_URL_Not_Plain_Text_-_Transclude}}# Include a brief written description of what reverb settings you used for each tracks | ||
| + | [[Category:To-Delete]] | ||
Latest revision as of 19:57, 4 September 2024
For this exercise, we want you to experiment with the different parameters and settings of a reverb plugin. While the settings we use in this exercise may not be typical for the given instrument, it gives us a chance to have fun and be creative. Explore the different types of reverb plugins as well as their settings and parameters.
Instructions
- Download these multitracks: Billy Cobham - Clouds - Multitracks
- This link has a Pro Tools session prepped and ready to mix
- If you aren't using Pro Tools, import the audio files to organize in your DAW
- Set up sends and returns for each group of audio tracks (snares, toms, overheads)
- You can use individual sends for each track for more varied options
- OR on Subgroup Tracks
- On each return auxiliary track, insert a reverb plugin with a different setting (room, hall, chamber, etc)
- EXAMPLE:
- Set up a send and return for the Snare tracks
- Insert a reverb plugin with a Room setting
- Set up a send and return for the Hi Hat track
- Insert a reverb plugin with a Hall setting
- Set up a send and return for the Toms tracks
- Insert a reverb plugin with a Chamber setting
- EXAMPLE:
- For this exercise, let's set all reverb plugins on the aux tracks to 100% wet
- Feel free to start with a preset and then adjust different parameters
- Play with the Length/Time, Predelay, Reflections, Tail, etc.
- Bounce or export a stereo audio file
- Upload to an audio file-sharing service
- YouTube, Mixup, Dropbox, Google Drive, SoundCloud, etc.
Deliver In Canvas
- Post a link to your Audio File
- YouTube, Mixup, Dropbox, Google Drive, SoundCloud, etc.
- Make sure it is a functional hyperlink (not just plain text)
- Configure your sharing permissions so anyone with the link can listen
- Include a brief written description of what reverb settings you used for each tracks