Difference between revisions of "52A Mixing 1"
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==Class Description== | ==Class Description== | ||
Mixing and mastering multitrack recordings. EQ, compression, reverb, delays, tempo maps, Lo-Fi techniques, multi-band compression. Comparison and contrast of various styles of mixing including jazz, classical, country, rock, hip hop and electronica. Example exercises featuring professional recordings and mixes. Understanding and applying mixing concepts such as balance, dimension, and monitoring. Deliver final mixes that translate accurately to various speaker systems and listening environments. | Mixing and mastering multitrack recordings. EQ, compression, reverb, delays, tempo maps, Lo-Fi techniques, multi-band compression. Comparison and contrast of various styles of mixing including jazz, classical, country, rock, hip hop and electronica. Example exercises featuring professional recordings and mixes. Understanding and applying mixing concepts such as balance, dimension, and monitoring. Deliver final mixes that translate accurately to various speaker systems and listening environments. | ||
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| + | ==New Info Dev== | ||
| + | Gain a greater understanding of two key elements of production by learning the latest approachs to mixing and mastering using Pro Tools. Essential knowledge for engineers, producers, or hobbyists who have their own home studio up and running, this course presents concepts that go beyond basic EQ and panning. Students will be exposed to more advanced mixing and mastering techniques including parallel compression, understanding reverb parameters as well as discussing compression techniques in mastering. You'll view demonstrations of engineers engaged in the processes, and by mixing and mastering Pro Tools sessions that are provided in the course, you will be able to hear, compare, and discuss the different mixes of your classmates. | ||
| + | |||
| + | By the end of this course you will have acquired a thorough understanding of the entire mixing and mastering process, information that you can apply to any mixing and mastering situation. | ||
| + | Music Tech Foundation have come together to offer an educational discount on the required software for the course: Ozone. Once you enroll in the course, you will be able to purchase this required software at a discounted price through the Required Course Materials link on your My Home page. Early enrollment is encouraged to ensure delivery prior to the start of the course. | ||
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| + | By the end of the course. you will be able to: | ||
| + | |||
| + | Understand and know the process of mixing in Pro Tools | ||
| + | Use EQ and Dynamics in a Pro Tools session | ||
| + | Use Reverb and Acoustic Space in a Pro Tools session | ||
| + | Use delay, chorus and flanging in a Pro Tools session | ||
| + | Understand and know the process of automation and dynamic mixing with Pro Tools | ||
| + | Understand and know the process of mastering with Pro Tools | ||
| + | Use the iZotope's Ozone plug-in to master stereo mixes with Pro Tools | ||
===Prerequisites=== | ===Prerequisites=== | ||
There are no prerequisites for this class. Some previous experience with a DAW (Digital Audio Workstation) is helpful, but not required. | There are no prerequisites for this class. Some previous experience with a DAW (Digital Audio Workstation) is helpful, but not required. | ||
Revision as of 17:59, 4 April 2022
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Class Description
Mixing and mastering multitrack recordings. EQ, compression, reverb, delays, tempo maps, Lo-Fi techniques, multi-band compression. Comparison and contrast of various styles of mixing including jazz, classical, country, rock, hip hop and electronica. Example exercises featuring professional recordings and mixes. Understanding and applying mixing concepts such as balance, dimension, and monitoring. Deliver final mixes that translate accurately to various speaker systems and listening environments.
New Info Dev
Gain a greater understanding of two key elements of production by learning the latest approachs to mixing and mastering using Pro Tools. Essential knowledge for engineers, producers, or hobbyists who have their own home studio up and running, this course presents concepts that go beyond basic EQ and panning. Students will be exposed to more advanced mixing and mastering techniques including parallel compression, understanding reverb parameters as well as discussing compression techniques in mastering. You'll view demonstrations of engineers engaged in the processes, and by mixing and mastering Pro Tools sessions that are provided in the course, you will be able to hear, compare, and discuss the different mixes of your classmates.
By the end of this course you will have acquired a thorough understanding of the entire mixing and mastering process, information that you can apply to any mixing and mastering situation. Music Tech Foundation have come together to offer an educational discount on the required software for the course: Ozone. Once you enroll in the course, you will be able to purchase this required software at a discounted price through the Required Course Materials link on your My Home page. Early enrollment is encouraged to ensure delivery prior to the start of the course.
By the end of the course. you will be able to:
Understand and know the process of mixing in Pro Tools Use EQ and Dynamics in a Pro Tools session Use Reverb and Acoustic Space in a Pro Tools session Use delay, chorus and flanging in a Pro Tools session Understand and know the process of automation and dynamic mixing with Pro Tools Understand and know the process of mastering with Pro Tools Use the iZotope's Ozone plug-in to master stereo mixes with Pro Tools
Prerequisites
There are no prerequisites for this class. Some previous experience with a DAW (Digital Audio Workstation) is helpful, but not required.
Requirements
- PureMixPro Subscription.
- Lynda.com Subscription.
- Available free through public libraries.
- Digital Audio Workstation (DAW) software.
- No other equipment or software required.
- No required textbook.