Difference between revisions of "Plugins1 - Reverb Assignment"
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{{FilePath:Reverb-plugin-waves.jpg|600px}} | {{FilePath:Reverb-plugin-waves.jpg|600px}} | ||
+ | For this exercise, we want you to experiment with the different parameters and settings of a reverb plugin. While the settings we use in this exercise may not be typical for the given instrument, it gives us a chance to have fun and be creative. Explore the different types of reverb plugins as well as their settings and parameters. | ||
==Instructions== | ==Instructions== | ||
− | # | + | # Download these multitracks: [[Mixing:Billy_Cobham_-_Clouds_-_Multitracks|Billy Cobham - Clouds - Multitracks]] |
− | #* | + | #* This link has a Pro Tools session prepped and ready to mix |
− | #* | + | #* If you aren't using Pro Tools, import the audio files to organize in your DAW |
− | #* | + | # Set up sends and returns for each group of audio tracks (snares, toms, overheads) |
− | # Set up | + | #* You can use individual sends for each track for more varied options |
− | # | + | #* OR on Subgroup Tracks |
− | #* | + | # On each return auxiliary track, insert a reverb plugin with a different setting (room, hall, chamber, etc) |
+ | #* EXAMPLE: | ||
+ | #*# Set up a send and return for the Snare tracks | ||
+ | #*# Insert a reverb plugin with a '''Room''' setting | ||
+ | #*# Set up a send and return for the Hi Hat track | ||
+ | #*# Insert a reverb plugin with a '''Hall''' setting | ||
+ | #*# Set up a send and return for the Toms tracks | ||
+ | #*# Insert a reverb plugin with a '''Chamber''' setting | ||
+ | # For this exercise, let's set all reverb plugins on the aux tracks to 100% wet | ||
+ | # Feel free to start with a preset and then adjust different parameters | ||
+ | #* Play with the Length/Time, Predelay, Reflections, Tail, etc. | ||
# Bounce or export a stereo audio file | # Bounce or export a stereo audio file | ||
− | == | + | # Upload your track to [[Mixing:Mixup|Mixup]] |
− | # | + | ==Deliver In Canvas== |
− | + | # Post a link to your [[Mixing:How_to_Use_Mixup|Mixup]] Track | |
− | # | + | #* Make sure it's a functional hyperlink in Canvas (not just plain text) |
− | + | # Include a brief written description of what reverb settings you used for each tracks | |
[[Category:1-Mixing-Assignments]] | [[Category:1-Mixing-Assignments]] |
Revision as of 13:55, 16 November 2022
For this exercise, we want you to experiment with the different parameters and settings of a reverb plugin. While the settings we use in this exercise may not be typical for the given instrument, it gives us a chance to have fun and be creative. Explore the different types of reverb plugins as well as their settings and parameters.
Instructions
- Download these multitracks: Billy Cobham - Clouds - Multitracks
- This link has a Pro Tools session prepped and ready to mix
- If you aren't using Pro Tools, import the audio files to organize in your DAW
- Set up sends and returns for each group of audio tracks (snares, toms, overheads)
- You can use individual sends for each track for more varied options
- OR on Subgroup Tracks
- On each return auxiliary track, insert a reverb plugin with a different setting (room, hall, chamber, etc)
- EXAMPLE:
- Set up a send and return for the Snare tracks
- Insert a reverb plugin with a Room setting
- Set up a send and return for the Hi Hat track
- Insert a reverb plugin with a Hall setting
- Set up a send and return for the Toms tracks
- Insert a reverb plugin with a Chamber setting
- EXAMPLE:
- For this exercise, let's set all reverb plugins on the aux tracks to 100% wet
- Feel free to start with a preset and then adjust different parameters
- Play with the Length/Time, Predelay, Reflections, Tail, etc.
- Bounce or export a stereo audio file
- Upload your track to Mixup
Deliver In Canvas
- Post a link to your Mixup Track
- Make sure it's a functional hyperlink in Canvas (not just plain text)
- Include a brief written description of what reverb settings you used for each tracks